by Nicholas Wilton | Oct 9, 2022 |
There’s a common struggle in art-making involving opposites. There’s the controlled approach — working precisely with intention, and the loose approach — when emotions and spontaneity take over. It’s a matter of engaging both sides of yourself — your...
by Nicholas Wilton | Sep 25, 2022 |
I want to share a helpful tip for when you want to work large. I like to work on unprimed canvas (found at any big online art store) wrapped over hardwood panels so I can push the paint into the canvas. To do this, I’ve built some very large forms of various...
by Nicholas Wilton | Sep 18, 2022 |
Many years ago, I fantasized about being in a prestigious gallery in San Francisco. The art shown there was incredible. I often went to the openings and remembered being awed by the work of one artist in particular. The work was so amazing and his level of imagination...
by Nicholas Wilton | Sep 11, 2022 |
I recently interviewed this amazing artist, Jaq Chartier, whose approach to her art is about testing and experimenting. She loves not knowing what’s going to happen. It’s an exciting approach to making art and it got me thinking about mine. Looking at older work, I...
by Nicholas Wilton | Sep 4, 2022 |
I’ve been thinking about the colors I use and noticed I tend to work with colors on either side of the standard colors. For instance, I never use a straight orange. Instead, I’ll start with it and add yellow or yellow ochre to make it dirtier and less saturated. Or...
